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Silence – Leonid Andreyev (1871-1919)

Born in 1871 at Orel, Andreyev struggled for many years to earn a livelihood as a lawyer. He began writing in 1900, and was helped and encouraged by Gorky. The note of tragedy and fatalism that characterizes his plays and novels is present also in his numerous short stories, of which Silence is typical.

The present version, translated by John Cournos, was published by Brown Brothers, copyright, 1910. It is reprinted by permission of the present owners, Frank-Maurice, Inc.
Silence
Pane moonlit night in May, while the nightingales sang, Father Ignatius’ wife entered his chamber. Her countenance expressed Itlircring, and the little lamp she held in her hand trembled. Approaching Ixer husband, she touched his shoulder, and managed to say between her sobs:
“Father, let us go to Verochka.”

Without turning his head, Father Ignatius glanced severely at his wife over the rims of his spectacles, and looked long and intently, till (he waved her unoccupied hand and dropped on a low divan.

“That one toward the other be so pitiless!” she pronounced slowly, With emphasis on the final syllables, and her good plump face was distorted with a grimace of pain and exasperation, as if in this manner she winked to express what stern people they were her husband and daughter.

Father Ignatius smiled and arose. Closing his book, he removed his nectacles, placed them in the case and meditated. His long, black beard, in woven with silver threads, lay dignified on his breast, and it slowly heaved at every deep breath.

“Well, let us go!” said he.

Olga Stepanovna quickly arose and entreated in an appealing, timid voice:

“Only don’t revile her, father! You know the sort she is.”

Vera’s chamber was in the attic, and the narrow, wooden stair bent and creaked under the heavy tread of Father Ignatius. Tall and ponderous, he lowered his head to avoid striking the floor of the upper story, and frowned disdainfully when the white jacket of his wife brushed his face. Well he knew that nothing would come of their talk with Vera.

“Why do you come?” asked Vera, raising a bared arm to her eyes. The other arm lay on top of a white summer blanket hardly’distinguish- able from the fabric, so white, translucent and cold was its aspect.

Silence part 11

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Trembling from head to foot, casting around him sharp and sudden glances, Father Ignatius slowly raised himself and with a prolonged and tortuous effort...

Silence part 10

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Father Ignatius` shoulders shivered, and he lowered his eyes upon the grave of Vera. He gazed long upon the little tufts of grass uprooted...

Silence part 9

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Father Ignatius, gazing out of his dilated eyes, as if there had arisen Nuddenly before him the frightful phantom of the mutilated corpse, lowly...

Silence part 8

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A bright streak of moonlight fell on the windowsill, and on the floor, and, reflected by the white, carefully washed boards, cast a dim...

Silence part 7

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Her eyes were silent, and Father Ignatius raising his voice, spoke Btemly and powerfully, as he was accustomed to speak with penitents:“I am aware...

Silence part 6

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Continuous and cold as the grave, and mysterious as death, was the silence of his daughter. The silence itself seemed to share this suffering...

Silence part 5

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From the day of the funeral silence reigned in the little house. It was not stillness, for stillness is merely the absence of sounds;...

Silence part 4

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And thus, hard and erect, Father Ignatius reached the burial ground, and in the same manner he returned. Only at the door of his...

Silence part 3

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From that day Father Ignatius ceased to speak with his daughter, but she seemed not to notice it. As before she lay in her...

Silence part 2

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“And I…” The dry voice trembled, truly something had broken in it. “And I… do you think I find it easy? As if I...

Turkish Bath

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Silence part 1

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